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The term slow glass comes from a science fiction book called The light of other days.
Light is slowed within transparent material by slowing the absorbtion/reemission time of individual encounters with atoms. This is the refractive index. Light in a vacuum (between atoms) always travels at c.
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"Those who cannot remember the past are condemned to repeat it" - George Santayana |
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If you really want to blow his mind, you can look up various articles where people have used exotics (Bose-Einstein Condensates, if I'm not mistaken) to slow down and even virtually stop light. They have also managed, by using light pulses, to 'store' the light information and then release it at a desired later time by using a secondary excitation source. Finally, for relatively simple signals, they have managed to propel some of the signals faster than light (not through a vacuum).
But GORT has the right general idea - light does slow down in a material with a different (higher) index of refraction as the initial propelling medium. What this has to do with photographing Shakespeare is perhaps much ado about nothing. |
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i saw a show on the History Channel about how some people think that the Shroud of Turin is actually a photograph made by Leonardo DaVinci by using simple technology that was available in his time- the reason the head seems to be too "large" for the body is because it was likely photographed separately onto the same cloth that the body was photographed onto.
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Quote:
The only place I've ever heard the term "slow glass" is here: http://www.marvunapp.com/Appendix/tymesandson.htm --describing a comic book story.
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"If this were play'd upon a stage now, I could condemn it as an improbable fiction." Shakespeare, Twelfth Night Illuminati's Razor-The most complicatedly evil answer is usually the most correct answer. - Fazor "Every book is a children's book if the kid can read." - Mitch Hedberg "Distance doesn’t matter much in space, where if you just start a thing off with the right kind of shove, sooner or later it will get where you want it to go." -Frederik Pohl, Mining the Oort |
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vm,
He's right - and this is the basis of optics and refraction. See: http://www.bbc.co.uk/scotland/educat...ion2_rev.shtml But you are right too, in that light continues at its original speed when it leaves the translucent substance. AS for 'slow glass', this is an imaginary concept, used and re-used in fiction and fable, like many others because they reflect powerful human wishes and desires. EG poisons that simulate death (Romeo & Juliet, Rip Van Winkle), the hidden heir revealed (Moses, Aragorn), identical twins (Comedy of Errors, Count of Monte Christo). Rather better known SF authors have used 'slow glass' such as Robert Shaw and Arthur C.Clarke. The very words "slow glass" have a pleasing assonance that have lead to them being used by artists in photography and film, and it is the name of a fishing fly! Try Googling for them! John |
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An individual photon never travels slower than the speed of light in a vacuum. What is happening in a medium is, the photons are being absorbed and then reemitted. This process takes time, so what we percieve as a beam of light slows down, but the actual light itself in its short jumps never travels slower than the speed of light in a vacuum.
This is what G.O.R.T. said, I just thought it might be helpful to expand on it a little. |
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