|
| If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. |
|
|||||||
| Register | FAQ | Members List | Calendar | Mark Forums Read |
![]() |
|
|
LinkBack | Thread Tools | Search this Thread | Display Modes |
|
|||
|
Quote:
very frequently did? Is that an extreme example of rubato or is it another kind of pause, altogether? -- Jeff, in Minneapolis
__________________
http://www.FreeMars.org/jeff/ "The other planets? Well, they just happen to be there, but the point of rockets is to explore them!" -- Kai Yeves |
|
|||
|
Rubato is a very difficult concept to master. At least, it was for me. My first (and worst) experience involved a vibraphone piece (an instrument I could barely play anyway) in which I needed to keep a 'rigid' tempo with my left hand and allow the tempo to fluctuate on my right hand. I understand that many pianists can do this, however for me it was quite a challenge.
Nowadays, it comes in handy on my drumset, if I want to throw a little swing into the groove, or want some metric modulation without having to actually puzzle it out. It can also enhance use of polyrhythyms. I have noticed that many many singers utilize rubato, whether by intention or not I don't know, but I often can hear a slight time difference between where a vocalist is placing words and where the downbeat is occurring. |