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  #61 (permalink)  
Old 14-June-2006, 09:25 AM
RussT RussT is offline
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Originally Posted by Gillianren
Er, Whidbey, I believe. It might be in Port Townsend, but I'm closer to Seattle. If you look at my location, I'm in Olympia, which is down at the lower tip of the Sound; Port Townsend's up at the tip of the Peninsula. Now, I'd visit anyway (my daughter and her adoptive parents live there), but either way, it's a little far for a movie, even a really good one. (But I did used to live in Port Angeles. What store?)
]Er, Whidbey, I believe.]

My dad grew up there.

I really doubt that the outdoor theatre in Port Townsend was one of the 40 locations chosen to be showing Serenity, which I thought was great by the way. That was more of a way of talking about the locations rather than a serious consideration.

Dick Thomspon and his wife (I believe Sharon) ran the stores, and if I remember correctly they were on either side of the theatre in Port Angeles. They may have even been called Thompsons Sporting Goods and Thompsons Mens Clothing???

When I was 16, I went and stayed with my uncle for a summer and worked in the Steak House in Oak Harbor. He had a sea plane, and every Wednessday, we would fly to Seattle and pick up Film for the theatre in Oak Harbor and Port Townsend.
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Old 14-June-2006, 07:17 PM
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Originally Posted by Donnie B.
For those of you who are not aware of the latest news in the fan community: you may have an opportunity to see Serenity on the big screen next week.

Browncoats have arranged showings in 40 different locations in four different countries. Proceeds go to charity. Many of the screenings are on June 23 (Joss Whedon's birthday), though a few are a day or so on either side of that date.

For details and to find out if there's a showing in your area, check the listings on http://www.cantstoptheserenity.com/ .
I just saw Serenity last night, after watching Firefly over a few months. It was great, and immediately I thought I would love to see it on the big screen! So I checked the website. Alas, it's not coming to Baltimore or even DC. Bummer.
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Old 14-June-2006, 08:25 PM
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Originally Posted by RussT
Dick Thomspon and his wife (I believe Sharon) ran the stores, and if I remember correctly they were on either side of the theatre in Port Angeles. They may have even been called Thompsons Sporting Goods and Thompsons Mens Clothing???
I think I remember 'em.

Actually, I think it would be very cool to see Serenity at a drive-in. There's one out by Shelton, too.
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Old 14-June-2006, 08:54 PM
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Moose said:
There were shades of "I don't have time for this. *BLAM*" in his walk. Remember, he knew the reavers were coming.
Yes, limits of his patience. Really there's more to it. He was perfectly willing to talk with the agent earlier, he managed to resolve problems with him other ways before. There were other concerns, like having an agent turn up dead who's last known position was on his ship, getting the Feds to start poking around and asking questions, and generally getting more heat on Mal than he wanted. But when the chips were down and the Reavers were coming and the agent guy was mucking about, Mal was out of time and out of options and he didn't hesitate, he shot, and didn't even pause in his steps.

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Much too tidy. Han should have had junk and spare parts all over the place, the better to keep the Imperial scanners busy when boarded. Unless Chewy was a neatnik?
Actually, that makes sense. Everything needs to be nailded down. Look what happened to Chewy that time he was servicing the hyperdrive and Han had to shake some Tie Fighters - tools upside the head.

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Come to think of it, the Falcon never actually bore legitimate cargo that I could tell. Just passengers (and contraband that one time for Jabba.)
Han got wrapped up in the Rebel Alliance activity and put his cargo running on hold. We didn't see his regular routine at all, we caught him negotiating the deal with Ben, dealing with some debt issues, and then the Imperial nonsense that distracted him from his nice life running cargo and smuggling booty.

Quote:
Ara Pacis said:
I do think that Han and Chewie were neatnicks (but not clean freaks). Afterall, the Millenium Falcon was highly modified by those two and was probably well maintained by Lando Calrissian when he owned it. Serenity, on the other hand, was a true bucket of bolts that was held together with bailing wire and luck. Han was a successful smuggler. Mal was subsistence smuggling. Think of Han's ship as a tricked out speedster that generally carries small but very expensive loads and Mal's ship as an old beat-up pick-up that can carry more, but usually carries less expensive bulky loads. I think this comparison makes sense when you compare the actual cargo space of both ships.
That's probably an accurate description of the difference in their activities. Han ran for speed, Mal hauled for discrete.

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I think Mal is the more hardcore smuggler. Even if Han shot Greedo first, Mal seems harsher when he sends an enemy into the engine intake for essentially mouthing off to him.
Even that scene had more to it. The point was that the bad guy didn't heed his warning, but recited a long litany of threats against Mal and how they would get him in the end. The engine intake didn't seem the most thoughtful way to eliminate the obstinate future enemy, but it did have the satisfaction of being dramatic - thus making the point to the next guy down the list.


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James Digriz said:
Compare it with the ships from Star Trek. I felt Serentiy and the Falcon were basically the same tidy wise. Both were dirty inside and out compared to the Ships of the Line.

I sure got the impression that the Falcon was a beat up cargo hauler. I don't think you'll find many people describing it as tidy.
Like I said, I never got that impression. Oh sure, Han was always mouthing off about things, and Chewy was busy working on the engine in the Hoth hangar, and there were references to the ship being a beat up hunk of junk. But I didn't see it. I certainly couldn't tell it was beat up and run down and looked like crap with a (finiky) speedster under the hood (that requires pampering). Maybe that's partly due to the ships in Star Wars in general having a more textured and used and complex look. There were no sleek lines and curves like rocket ships, or Star Trek. But I couldn't tell the difference between the Millennium Falcon and the Death Star or Star Destroyers other than the coloration and uniforms. But I would expect the Death Star to have been militarily precise and clean (when not getting blown up).

Maybe part of the distinction also goes to the flashy "futuristic" look of the Star Wars universe to enhance the space feel. Contrast that with [i]Serenity[i]'s contemporary look and feel in many ways, like clothing and kitchen.

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  #65 (permalink)  
Old 14-June-2006, 09:06 PM
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Originally Posted by pumpkinpie
I just saw Serenity last night, after watching Firefly over a few months. It was great, and immediately I thought I would love to see it on the big screen! So I checked the website. Alas, it's not coming to Baltimore or even DC. Bummer.
It's being shown on the south side of the Potomac, in Arlington. I'll go if you go.
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  #66 (permalink)  
Old 14-June-2006, 09:22 PM
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Oh! I missed that one. I'll have to seriously think about it!
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  #67 (permalink)  
Old 15-June-2006, 04:13 AM
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Originally Posted by James_Digriz
I sure got the impression that the Falcon was a beat up cargo hauler. I don't think you'll find many people describing it as tidy.
The part that makes it feel wrong for me as a smuggler is a lot simpler. It's white. Nuff said.
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Old 15-June-2006, 07:24 AM
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'Lo!

I came to Serenity cold - I'd no experience with Firefly until I started flight-testing a Firefly model for Orbiter.That piqued my interest; so I rented the film.

First watching; I was fairly disappointed. It was obvious to me that it was written for watchers of the series; all character development was done in the series. I had no idea who the black preacher was (which is a shame; he seems a signifigant and powerful actor), who the courtesan was, etc.
The plot seemed forced and confusing; the action sequences hurried.

The strange thing is, I didn't stop watching it.

I kept going back and re-watching my favourite bits. For one; the sequence where we see Serenity for the first time; entering the planet's atmosphere. The effects, combined with that lovely down-home music deserved several rewinds; as did Mal's walk through the entire length of the ship, fore to aft - a great sequence.

River - who I'd dismissed as another good looking, half-talented tween actor, deserved watching as well - and not just for her knockout legs. Subsequent viewing began to reveal a fairly astonishing depth of performance; and when I learned she's an accomplished ballerina who did all her own stunts and fight sequences; my opinion soared. Hers are the first fight sequences I've ever seen that could be described as 'beautiful' - by comparison the oft-touted 'Kill Bill' (which I thoroughly detest) were utter trash.

Throughout numerous reviewings; I kept on seeing more depth and complexity to the show - the clever use of lighting; the interesting - and thoroughly chilling - aspect of a 'bad guy' who's a genuinely honorable - in his own way - man.

Perhaps it takes a couple of viewings to see it, but there was real genius in the making of that film.

The thing that struck me most though is Mal. Folks here have compared him to Han Solo - an unfair comparison, IMO. Han is Han; a comic-book hero; the stereotypical dashing smartarse hero. Hius was a character that could have had tremendous depth; but it wasn't needed - he's an action hero; deep meaning isn't what Star Wars was about.
Mal, on the other hand...well, let's be real - Mal is me. I know him - personally. A lot of vets do, we se him in the mirror every day. A history of war and violence; having to live wth the horrors of what he's seen and done. A day-to-day liver with no real goal, no mission, no aim other than to see another day. A cold shell of cynicism built up to keep the world out.
For those that think he's a Han clone; watch him again - and watch how he changes. For the first half of the film; he's as I've described - aimless. Then when the agent attacks him at home - that part is left vague, since I don't want to drop spoilers - he reacts with cold fury and engages in vendetta. Yup - been there, done that. Don't ask.
Then when he learns the secret of the Reavers; watch him change again. For someone who's been there; that moment when he announces "I aim to misbehave!" is a powerful moment - when Mal puts aside his self-seving attitude to once again serve others. The actor who plays him pulled that moment off so perfectly I had tears in my eyes - you can see the man becoming alive again.

Sorry, I'm rambling again. But suffice it to say, Serenity is far better than the sum of its parts - it has it's weaknesses, very true; but it also has a tremendous depth and subtlety I found remarkable.
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Old 15-June-2006, 01:35 PM
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Staiduk, your post gave me chills! You describe Serenity better than I ever could.

"...real genius in the making of that film" sums it up perfectly!

Have you watched Firefly yet? I can't imagine you being disappointed with it. In fact, I believe it will only enhance your appreciation for Serenity, and you'll watch the movie again and enjoy it even more!
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Old 15-June-2006, 01:42 PM
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No Staiduk, I don't think you're rambling, I agree with what you're saying.
I watched Serenity for the 1st time only a few weeks ago & was expecting some loss of character understanding etc as I've only seen a few Firefly episodes so far (& probably out of order). But it was much better than I expected & I watched it again the next day before I returned it (rented dvd), something I not often feel the need to do & enjoyed it just as much. Will definately be going in my collection.
Now to actually watch all of those Fireflys in the correct order
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Old 15-June-2006, 03:27 PM
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There was a humorous review of the plot of Serenity that I can't locate at the moment. It describes how viewers of the movie the first time react, and then how second time viewers react. There's a lot of "Curse* you, Joss Whedon's" thrown in. Upon viewing the movie a second time, I had to agree. There's a lot of sneaky foreshadowing in dialog and camera work.

Joss Whedon is a craftsman. His shows really showed the depth of his commitment and his creativity. There's a reason Buffy was one of the best shows on TV, and it's not because it had good effects. In a word, it was the writing. Sure, the actors made their characters come to life, and Sarah Michelle Gellar was absolutely poignant, you could really feel their emotions and struggles. But the thing that made the show was the writing. That, and Whedon's creative genius. I mean, he made musical episode of Buffy, full of song and dance. These people were not cast for their musical ability, yet they managed to pull off some interesting performances. And then there's the episode that is completely silent - in the first few seconds, monsters come that steal everyone's voice. For most of the episode, there is NO dialog - everything is mimed or written or conveyed by expression and action. Yet it is one of the most spectacular episodes. That is the brilliance of Whedon, that he could pull that off.

Firefly captured some of the great writing. There was so much more to learn about the characters that it was upsetting to have the show canceled. Serenity has it's flaws, but Staiduk is right, there is real craftsmanship in that movie.

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Old 15-June-2006, 03:48 PM
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Oh! I missed that one. I'll have to seriously think about it!
We can carpool from Greenbelt if you want.
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Old 15-June-2006, 08:37 PM
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Well said, Staiduk. Very well said.

What's always impressed me is the camera work. Whedon has the cameracritters breaking all the rules of cinematography, and it works!

I think my favorite technique is the overzooms, where the camera momentarily goes out of focus. Almost as if a camera just happened to be there improvising to get as much footage as they can. An example of this is when Serenity is diving through the massive orbital battle. There are a number of shots there that remind me of the ground-scope coverage when Space Ship One made it's flight.
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Old 15-June-2006, 10:48 PM
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Beautiful post, Staiduk. I was a Firefly fan first, so I didn't have your initial issues with Serenity. But all the things you mention that keep drawing you back are there in the series, too -- perhaps even more so, as the for-TV writers had more time to develop characters, hint at backstories, and show interactions between them.

I'd be one among many who would welcome you on the forums at www.fireflyfans.net. You could copy and paste that post to any of the newbie threads in General Discussions (or start your own thread), and be welcomed with much joy by the semi-crazy fans there.

That invitation extends to the other fans here too, naturally. I'm "DonCoat" over there, should you care to visit.

Staiduk, if you aren't interested in joining FFF.net, would you mind if I posted your remarks there? I know they would be appreciated.
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Old 16-June-2006, 02:07 AM
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Originally Posted by Moose
Well said, Staiduk. Very well said.

What's always impressed me is the camera work. Whedon has the cameracritters breaking all the rules of cinematography, and it works!
Well, not quite all, they did take the cap off the lenses before shooting.

My favorite trick is that when you have a cam tracking fast motion, and the POW of the camera is in atmosphere, it shakes from turbulence, even in 100% CGI shots.
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Old 16-June-2006, 01:55 PM
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I've got my tickets for Serenity in Arlington, VA next Friday!

Now I have to decide if I want to watch the director's commentary *before* I see the movie again. Hmmmm....
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Old 16-June-2006, 02:06 PM
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Originally Posted by pumpkinpie
Now I have to decide if I want to watch the director's commentary *before* I see the movie again. Hmmmm....
Not a bad idea. It's only increased my appreciation of the movie, having the cool little details pointed out to me.
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Old 19-June-2006, 03:53 PM
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Quote:
Originally Posted by Ara Pacis
I think Mal is the more hardcore smuggler. Even if Han shot Greedo first, Mal seems harsher when he sends an enemy into the engine intake for essentially mouthing off to him.
It wasn't so much "mouthing off" as "Oh great, this guy's never going to stop chasing us." And Mal didn't want his crew being killed for his own sense of honor.
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  #79 (permalink)