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I think that Verhovens wit won't translate. Both Robocop and Starship Troopers have had sequels which entirely missed the point.
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"I worry that, especially as the Millennium edges nearer, pseudo-science and superstition will seem year by year more tempting, the siren song of unreason more sonorous and attractive." - Carl Sagan, 1995 |
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Which is exactly why Verhoven's Starship Troopers was so terrible. The guy didn't even read the book.
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"You miss 100% of the shots you don't take" - Wayne Gretzky |
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"You miss 100% of the shots you don't take" - Wayne Gretzky |
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OK, its obvious some people watching Starship Troopers didn't get his wit either.
The film was actually satirising the book. You might think that Heinlein has nothing to do with Nazism, but a person who lived under Nazi occupation respectfully disagrees with you.
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"I worry that, especially as the Millennium edges nearer, pseudo-science and superstition will seem year by year more tempting, the siren song of unreason more sonorous and attractive." - Carl Sagan, 1995 |
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"You miss 100% of the shots you don't take" - Wayne Gretzky |
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Or perhaps, you could acknowledge the man is far more talented when he is asleep than you will ever be?
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"I worry that, especially as the Millennium edges nearer, pseudo-science and superstition will seem year by year more tempting, the siren song of unreason more sonorous and attractive." - Carl Sagan, 1995 |
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So, if we're done being juvenille, that's enough about the movie Starship Troopers. As I said earlier, Robocop could use a good sequel/remake after the atrocities committed in its name in the sequels. I really don't see any problem with restarting the franchise ala Batman Begins.
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"You miss 100% of the shots you don't take" - Wayne Gretzky |
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Verhoven has said that he refused to read the book. This movie was done by people that didn't like Heinlein and were out to do a number on Heinlein, and his politics. This is not my opinion, I attended the panel at the 96 World Con where they freely admitted that they were out to subvert the books viewpoint. In fact they were very proud of themselves that they turned down the writers that really hated Heinlein. They labored valiantly to tell you absolutely nothing about the film. I swear they actually said this: Were are going to do the book, but change it. We are going to do his politics exactly, but subvert them! It was so bad that the authors in later panels were making fun of them. This site explains many of the differences, and the changes they made to make Heinlein, and his politics look bad: http://www.kentaurus.com/troopers.htm David. |
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I saw Starship Troopers. I have NOT read the book.
Starship Troopers, the movie, was a confused mess of fascism, satiric fascism, pseudo-nazism, and gung-ho patriotism. I don't think either the writers or the director had a clear idea of any theme within the movie. This was a good movie if you were looking for pretty explosions and gung-ho attitude. Any attempts (after the fact) by the writers or the director to elevate this material further would belong in the large pile of compost in the back of the barn.
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Keaton may have nailed the role, but letting Tim Burton within hailing distance of a director's chair was a horrible mistake.
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ToSeek BAUT Forum Moderator
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Not at all. It is surprising how many people who are otherwise individualistic and liberal have their tastes in sci-fi swing towards overt fascists like him.
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"I worry that, especially as the Millennium edges nearer, pseudo-science and superstition will seem year by year more tempting, the siren song of unreason more sonorous and attractive." - Carl Sagan, 1995 |
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I don't think Verhoeven is in quite the same category as a "hack". He has offered up one of the better Philip K. Dick translations (not an easy task to say the least). Beyond that the Director should not be confused with the Writer or the Producers. Very different tasks. And if you think a director has much say in what a movie ends up being look at the fight over Brazil and also look up how many directors take their names off of movies after they are filmed. ("Where the Wild Things Are" is a new example of this: photography is done but the studio doesn't like Jonze's version and so its currently in reshoots/production *ell)
What I'm getting at is that the director has little to nothing to do with the content of a movie. Rare cases are the exception.
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They did remake that movie.. It was called Equilibrium.
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